Showing Artistic Landscape through Blending of Color and Ink
色墨相融尽显山水气韵

　　Artistically creative concept and spirit of Chinese landscape painting can be described as the peak in Chinese painting industry. Far from forming a landscape, the importance of concept and awareness of ink and brush has become a topic always concerned by painters, and it has become the core issue that must be considered first in the process of creation for each painter. If simply illustrating the concept of brush and ink landscape from the perspective of painting art, the painter should firstly focus on understanding the creation process of landscape painting, and should have comprehensive study to the style, color and ink and essential implication of brush and ink, and only achieving this can show the artistic conception of landscape painting through blending of color and ink. Mr. Jiusi Lin has realized the profound philosophy of color and ink expression in learning, studying and creation, so he has experienced the traditional culture connotation with “Confucianism, Buddhism and Taoism” as the representative in the oriental philosophy objective of the brush and ink pattern of landscape painting.
　　中国山水画的创作观念与气韵可谓是中国绘画史上的锋芒。从形成山水画至今，它的笔墨观念与意识的重要性一直是画者们尤为关注的话题，更是每一位画者在创作中最先考虑的核心的问题。如果从绘同艺术的角度单纯的阐述笔墨山水的概念，要从了解山水画的创作过程为着眼点,要对山水画的格调、色墨、笔墨的本质意涵有着全方位的探究，只有做到如此了解才能在创作中以色墨相融的笔法尽显山水画的气韵。林九思在学习、钻研、创作中悟出了色墨传神的深奥哲理，于是他在山水画的笔墨形态的东方哲学意趣中，体会到了以“儒、释、道”为代表的传统文化的内涵。
　　在林九思的心里，要想创作优秀的画作，就要懂得运用西方水彩画的技法和元素特点，来增加水墨画的表现力和水墨、色彩的交相辉映。人们每天置身繁杂的事物与快节奏的现代都市生活，已经不同于生活在历史的自然之中，作为一名出色的画家应该采取什么样的方式来表达，则成为画者最关心的，专访中林九思对此发表了自己的观点，通常他会采取色墨相融的方法，以确保自然和心灵在创作中的无限沟通，从创作中真正体验、解悟“天人合一”的境界的本原实质。今天笔者就邀请到这位画为心生的国画家林九思，请他就山水画的色墨运用畅谈自己的看法。
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